The seed was planted in high school, when I listened to Jimmy Page's searing leads on "Led Zeppelin II," above all the "Heartbreaker" solos, both the stand-alone, epic beast which starts at 2:03, and the lesser-known but equally brutal second solo that comes in at 3:08 over the magnum force of Zeppelin's rhythm section.
Page stoked my interest, but the extent of my actions at the time were air guitar solos in between bench press sets. I didn't sit down and do the grunt work of learning the guitar until college.
At the time, my prime inspiration was Kirk Hammett. I walked around campus blasting "Garage Days Re-Revisited" in my Walkman, awestruck by the perfectly-sculpted solos, which were both chaotic and controlled, reliably building to explosive crescendos. Twenty five years on, many of these solos are still hard-wired into my memory note-for-note, as I frequently rewound them at the time, thinking "I want to do that."
Not long into my guitar apprenticeship, my tastes changed. One day a good friend and I sat in my dorm room drinking cheap beer and listening to "Live at Winterland," arguably the best live Hendrix album. At some point, probably after one of Jimi's cosmic solos, my friend (who up to that point had listened mostly to heavy metal) turned to me and said, "You know, Jimi's got something that Kirk just doesn't have."
This was a permanent paradigm shift for both of us. I still appreciated Kirk Hammett, Eddie Van Halen, and a handful of other hard rock/metal guitarists, but the conversion to Hendrix was a turn away from the fast, highly technical playing that predominated during the plastic '80s toward a more blues-based style rooted in note purity/economy and feeling.
In this series, I will pay homage to my forebears, the broad shoulders on which I stand every time I plug in.
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One amazing guitarist who is too rarely mentioned in the same breath as the above is Eddie Hazel of Funkadelic. Hazel co-wrote and wailed furiously on "Red Hot Mama" (and "Vital Juices," an extension of "Mama" that's pure, unalloyed jam), but he's best known for "Maggot Brain," one of the best instrumentals of all-time - and one of the only electric guitar moments in history that approaches the sonic heavy-osity of Jimi Hendrix.
When I first heard "Maggot Brain," I thought who is this guitarist, and why have I never heard of him? Unfortunately, this is a common reaction to the discovery of Eddie Hazel, whose catalog is limited due to substance abuse and an abbreviated life span.
Naturally, I went to You Tube to crack the mystery of Eddie Hazel, and found this excerpt from "Standing on the Verge of Getting it On":
Backed by the mighty Funkadelic groove army, this is a musician at the height of his powers.
Check out the '70s duds, the big, full Strat tone, and George Clinton's introduction, "I want you to talk to 'em, brother," as Hazel's bandmates clear the way for him to stand and deliver.
**Click here for Great Guitar Solos, #2: Frank Zappa
here for Great Guitar Solos, #3: Hiram Bullock
here for Great Guitar Solos, #4: Dweezil Zappa Nails "Eruption"
and here for Great Guitar Solos, #5: Alvin Lee
Check out the '70s duds, the big, full Strat tone, and George Clinton's introduction, "I want you to talk to 'em, brother," as Hazel's bandmates clear the way for him to stand and deliver.
**Click here for Great Guitar Solos, #2: Frank Zappa
here for Great Guitar Solos, #3: Hiram Bullock
here for Great Guitar Solos, #4: Dweezil Zappa Nails "Eruption"
and here for Great Guitar Solos, #5: Alvin Lee
